Featuring Emily DeAngelis Elizabeth Pszczolko and Vera Constantineau
Anyone who expected an immediate personal recap of the launch of my book, Enlightened by Defilement, on April 15th will have given up by now I am sure. In a word, fantastic!
The crowd in attendance was gratifying, the response satisfying, and the location was the place to be for me. If you had a nibble, you already know the food was beyond. In a word, *see above.
Anyone who puts a manuscript together, shops it, signs a contract for it, then holds the finished product in their hands, knows the “Oh Crap” feeling of the work just beginning. In the coming months, I will be reading, signing and hoping for the success of this almost memoir of mine. In the early response from readers, and I admit most of these are colleagues, all has been favorable. Early days though, let’s see what a few months brings.
If you’ve a yen to read my book and don’t have a copy yet, you can order it at the Latitude 46 online bookshop. If you want to wait and meet me at Chapters on the 27th of May, I will supply a smile and a verbal tour of what you will get.
Have a photo or two to see what it was like at the beginning. Sorry you missed it if you did.
Episode 298 is now live
While Catholicism has its seven deadly sins, Buddhism gets a lot more specific, with a whopping 108 temptations that practitioners seek to avoid. Alternatively translated as impurities, vexations, or defilements of the mind, each one represents a lesson or opportunity to calm and cleanse the mind and spirit, potentially leading to Nirvana. Things like anxiety, fear, anger, and jealousy are included as well as more specific items like insidiousness, intolerance, and intransigence.
Vera Constantineau, former poet laureate for the City of Greater Sudbury, took this concept as a place to start her own journey, both on the page and in life. The result is her thoughtful and gently witty collection Enlightened by Defilement (Latitude 46 Publishing), referred to as “an almost memoir”. Reflective of Constantineau’s lifelong pursuit of enlightenment and understanding, Enlightened by Defilement is a collection of haiku and haibun poems that unravel grief, loss, and joy with an open, self-aware heart. The haibun form is the somewhat less common cousin of the haiku, combining the haiku with prose poetry. Famed 17th century poet Matsuo Bashō is credited with inventing the form.
Rich and wise, funny and sharp, Constantineau’s poems examine the path to understanding that arcs through the everyday. We’re speaking with her today about the collection and the haibun form. She tells us about how she became interested in the 108 defilements, the precise and careful writing process demanded by the haibun form, and her advice for emerging and aspiring poets.
I was researching for a haiku project when I found a list online titled, 108 Defilements. The list covered the undesirable behaviours/traits a practicing Buddhist must overcome in order to be enlightened. Some examples of the 108 are gluttony, avarice, vanity, and haughtiness. In its content, the list seemed to be an extended version of the ten commandments and the seven deadly sins. I went back to my research and eventually left the site, however, that word defilement stuck in my head. Having read the list of defilements and their particulars, I began to think each of us might have had a taste of defilement sometime in our life. If that’s so, hopefully in this age of self awareness, we are able to move past the experience. In writing these pieces, I attempted to show myself, as non-Buddhist, doing just that—moving past defilements delivered to me in my life. I’m nowhere near enlightened, but that wasn’t ever my aim. I did, however, come through the writing of this collection with a stronger sense of self awareness and acceptance of the lessons I’ve learned. I can admit, some lessons were learned the hard way. The title, Enlightened by Defilement, came from the realization that life is a rocky road. If I am in any way enlightened at this point in my life, then I became so by overcoming.
The biggest surprise was the growing feeling of peace and healing. Through self examination, I was able to let go of anger and blame, and I achieved a stronger sense of forgiveness, not only for others, but also myself. Delving into my own memories and their connected subjects was difficult but gratifying. Much of the darkness of my thoughts I’d studiously avoided talking about. I certainly didn’t want to be writing about things I was unable to say aloud. Then, I focused on a few hard questions, one being why events are visited on us and another, what the motivation was for another human to inflict pain or unhappiness on us. Working out the answers was the seed that sprouted the beginnings of peace, healing, and eventually forgiveness. What a surprising gift this collection was to myself, I am grateful for it. That is not to say, all my memories were dark, many were enjoyable and still carried a lesson.
Once I considered the possibility that I had ‘defilements’ of my own and survived them, I wrote specifically in that vein for this collection. I began, as we all should, at the beginning. My mothers, my extended family, the love and kindness, the ugliness and unkindness. I cut a cross section and aimed for balance, a life is not all bad or all good. My purpose was not to practice blame at any time. I wrote of human beings exhibiting human behaviours. I covered our flaws as I recognized them and in doing so, I tried to tie each written piece loosely to one of the 108. At no point did I ever intend to mimic the difficult and heartfelt journey of a practicing Buddhist.
Wow, opens or ends? That’s something of a loaded question when you’re asking about a haibun. Every step along the writing way holds significance in its own right. There’s the title, pored over and considered because it’s an introduction to subject. In some cases it’s a tease of what is to follow. The prose or the story, is absolutely not to be treated as a repetition of the title, more perhaps as the answer to a question the title may pose and hopefully it has delivered on the tease, if that’s the chosen direction of your haibun. Finally, the haiku is meant to take you from the prose to the ‘what happened then’ moment of closure. Beginning, middle, end – any step or misstep can make or break a haibun. It pays to pay attention the whole.
I read a number of haiku journals such as, The Haiku Canada Review, Modern Haiku, Frogpond, Failed Haiku, Seashores, First Frost, Acorn, and bottle rockets. Haibun journals were high on my reading list as you can imagine. Sean O’Connor, the founder and editor of The Haibun Journal in Ireland, writes dazzling haibun, his collection Fragmentation is a favorite. Roberta Beary is my all time favorite haibun writer, it was one of her haibun in Rattle that solidified my commitment to the form. I read a variety of collections by well-known poets in the haiku community in Canada, the U.S., and the UK. I gathered and read educational materials, particularly essays on the genre, that repeatedly stressed the importance of each element in the writing process, particularly that of using your senses in all writing of the Japanese forms. As I said, I was making a specific path through the writing of this collection and each step was taken using the knowledge and words of others to guide me to my own words.
Enlightened by Defilement is dedicated to my husband and my daughter. Those two are my support system, my biggest fans, and the two people who know exactly what to say when I lose my way or doubt myself and when to hug me when I’m down. Enlightened by Defilement has a continuous thread of family, love, and support running through, as well as humour, so does my life with my immediate family. I can’t imagine dedicating it to anyone else, family first. That said, the dedication could have been a lifetime of names. Friends now and past, extended family, the in laws, and the outlaws. Everyone brought me something and I hope I have given back in kind.
The advice I would give to emerging or aspiring poets is first to read the work of other poets with an eye to what you relate to. When you find the kind of work you wish you’d written, then chances are you’ve found the kind of poetry you want to write. Second, pay attention to what a poem deserves, and here I refer to craft: learn your craft. Third, find a writing circle of like poets and build the sort of trust that allows you to heed good advice and gives you the strength to recognize and ignore bad advice when it comes your way.
Vera Constantineau’s poetic focus is in Japanese forms, haibun, haiku, senryu, and tanka. In addition to poetry, her nonfiction essay, “Options”, is included in Against Death—35 Essays on Living (Anvil Press, 2021). In 2021 her haiku placed third in the Martin Lucas Haiku Award “Presence Haiku Journal” in Britain. Her essay “He and I” placed third place in the 2021 Northwestern Ontario Writers Workshop Creative Nonfiction prize. Her short fiction and haiku have appeared in journals around the world including; Canada, Japan, USA, UK, India, and Europe. She is a member of the Sudbury Writers Guild, Haiku Canada, Haiku Society of America, and Tanka Canada. She served as the sixth poet laureate for the City of Greater Sudbury (2020-2022). She lives in Sudbury with her husband.
We writers are all awash in social media. Some part of our involvement can be attributed to the isolation of our writing lives, another part is the need to network as writers and prepare for the day we launch our book babies.
There’s a fine line between marketing and overmarketing. I don’t want to be the person who one day posts for the fifth or twentieth time and, by doing so, causes everyone on my followers list to groan inwardly. That said, if we are published by a House, as I am, I owe it, by the letter of the contract, to promote my book and all that entails.
Returning to the title above, and the issue of responses, it’s my belief that the old axiom, “if you can’t say something nice don’t say anything at all” really should be adhered to. I get that we all write in a variety of genres, but to be a Negative Nelly is completely unnecessary. There is nothing wrong with the decision to let the post on your friends page go by. Saying nothing is an option that is often not chosen enough. Not everything we writers set on a page is golden, we get that.
I recently read a book by one of my favorite authors and it was ho-hum. I added it to my list of books I’ve finished for the Goodreads challenge and gave it fewer stars than other books, but I didn’t go into deep detail as to reasons why. The star system charts the way for us on Goodreads, no need to be cutting. Also, it behooves us to remember that a lot of blood, sweat, and tears goes into the writing of a novel. If we have not walked a mile in that writer’s footwear under the desk, we have no business being judgy. Okay, hopefully there is no blood beyond the occasional paper cut involved in book writing, still you get the drift.
Sometimes I do take the time to ponder why such a simple post will garner a feisty, or rude, response. Today, for example, I’ve been pondering. At other times I let the rude slide and chalk it up to me creating a dialogue where not everyone has to agree. I did find myself torn by the latest occurrence in the Neg. Nel. vein, however. I’ve decided slide is the only option, someone else’s unhappiness is not my problem to solve, is it